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Matsuo Bashō

Ibat king Wikipedia
Matsuo Bashō (松尾 芭蕉)
Talipampan Sōbō (宗房)
Tōsē (桃青)
Bashō (芭蕉)
Obra Poet
Bangsa Japanese
Bantug a obra Oku no Hosomichi

I Matsuo Bashō (松尾 芭蕉?, 1644 – Noviembre 28, 1694), mibait yang Matsuo Kinsaku (松尾 金作?), kaybat Matsuo Chūemon Munefusa (松尾 忠右衛門 宗房?),[1][2] ing pekasikat a poeta o watas ning Kapanaunang Edo king Hapon. Anyang mabye ya pa, kinilala re i Bashō kareng obra na king saup-saup (collaborative) a pormang haikai no renga; ngeni, kaybat da reng pilang siglu o dilanwa ning komentaryu, kikilalanan deng panginwan o misnang gelingan king makuyad ampong malinong haiku. Sikat ya king mabilug a yatu ing kayang poesya o kawatasan, at king Hapon, makabili la reng dakal kayang kawatasan kareng monumentu ampong tradisyonal a lugal. Lipat ning karapatdapat deng kikilalanan king Albugan i Bashō king kayang hokku, ya mismu, paniwalan nang ing pekamasanting nang obra atyu king kayang pamanimuna ampong pamakyabe king renku. Babanggit dang sinabi na, “Dakal kareng talatuki ku, kasinggaling kong sumulat hokku. Papakit ku ing belwan ku kapamilatan ning pamituglung-tuglung kareng bersung haikai.”[3]

Anak ya pamu i Bashō, mipakilala na kaya ing poesiya, at kaybat nang milub king eksenang intelektuwal ning Edo (a ngeni Tokyo), gad yang sinikat king mabilug a Hapon. Menintunan ya antimong talaturu, dapot pepainggulutan na ing byeng sosyal ampong urban (panglakanbalen) da reng sirkulo o pamiabe-abeng pangliteratura, at maburi yang lumibut king marangle ampong ilang, papunta king albugan, aslagan, ampo king kakewan ning pangulu, bang mika inspirasyun para king kayang panyulat. Makalto kareng kayang kawatasan ing daretsu nang denasan king yatung makapadurut kaya, at maralas, ararakap ne ing kapanamdaman ning metung a eksena o milyari kilub da reng ditak a simpling sangkap.

Listaan da reng obra

[mag-edit | alilan ya ing pikuwanan]
Haiseiden (俳聖殿, Sidwan a Panalala king Poeta (Poet's Memorial Hall)) king Iga, Mie, a mitikdo ba yang pagmasusyan ing ka-300 a anibersaryu ning pangabait nang Bashō.
  • Kai Ōi (The Seashell Game) (1672)
  • Minashiguri (A Shriveled Chestnut) (1683)
  • Nozarashi Kikō (Record of a Weather-Exposed Skeleton) (1684)
  • Fuyu no Hi (Winter Days) (1684)
  • Haru no Hi (Spring Days) (1686)
  • Kashima Kikō (A Visit to Kashima Shrine) (1687)
  • Oi no Kobumi, or Utatsu Kikō (Record of a Travel-Worn Satchel) (1688)
  • Sarashina Kikō (A Visit to Sarashina Village) (1688)
  • Arano (Wasteland) (1689)
  • Hisago (The Gourd) (1690)
  • Sarumino (The Monkey's Raincoat) (1691)
  • Saga Nikki (Saga Diary) (1691)
  • Bashō no Utsusu Kotoba (On Transplanting the Banana Tree) (1691)
  • Heikan no Setsu (On Seclusion) (1692)
  • Sumidawara (A Sack of Charcoal) (1694)
  • Betsuzashiki (The Detached Room) (1694)
  • Oku no Hosomichi (Narrow Road to the Interior) (1694)[4]
  • Zoku Sarumino (The Monkey's Raincoat, Continued) (1698)
  1. 松尾芭蕉. The Asahi Shimbun Company. Retrieved on 2010-11-22.Invalid language code.
  2. 芭蕉と伊賀上野. 芭蕉と伊賀 Igaueno Cable Television. Archived from the original on 2016-03-04. Retrieved on 2010-11-22.Invalid language code.
  3. Drake, Chris. 'Bashō’s “Cricket Sequence” as English Literature', in Journal of Renga & Renku, Issue 2, 2012. p7
  4. Kokusai 1948, pp. 248-9
Ing Wikiquote atin yang coleccion da reng sinabi nang o mesabi tungkul kang/king: